So with Al Quaeda essentially not hiding in Afghanistan — and certainly not operating terrorist training camps any more — why should the United States care about the Talban and a political “insurgency”?
1, 2, 3 What are We Fighting For?
Author Archives: glennm
My “Twitterview” on 22 Tweets
Today we’re tweeting with @glennm, biglaw antitrust / telecom / technology litigator turned Web 2.0 legal guru.
#140conf Panel on Social Media Law & Policy
This is a video clip from the panel on Law and Policy for Social Media which I moderated at last week’s 140 Characters Conference in Los Angeles.
The Law of Social Media (Part III)
Welcome to Web 2.0, corporate IP police! Your task in protecting against genericide has become an order of magnitude harder because social media is immediate, difficult to search and presents such massive volume of content that periodic review of even a portion of it is clearly impossible
The Law of Social Media (Part II)
[Part I of this series of essays can be found at this permalink]. 2. Who Owns User-Generated Content? Who owns user-generated content (UGC) posted to social media sites? This is but one of the many vexing issues presented by the emerging law of social media, albeit one of great interest to users, corporate subscribers and […]
An Update on the DMCA
It is the end for a creative, but futile, effort by RealNetworks to plead its way around the Digital Millennium Copyright Act for yet another variant of DVD-ripping software.
Betting Against Technology
Don’t bet against technology. Increased efficiency in wireless data protocols trumps spectrum capacity all the time.
Them Bones are Made for Walking
Sixty-four years later, the world remains in the dark about what really happened in Adolph Hitler’s bunker on April 30, 1945. And it appears that, just as with the JFK assassination, the Soviets are in the middle of it, as they hid what are claimed to be Hitler’s bones.
Turn it UP!
This is paternalistic regulation at its worse.
Remastered Masters
It is a little odd that although The Beatles pioneered so many innovative recoding techniques in the analog realm, their music is still not yet available on remastered digital CDs.
